Analog Summing In The Digital Age
Recording software companies brag about their “mixer,” but discerning engineers won’t settle for in-the-box mixing when the dimension, punch, and articulation of analog summing can vastly improve their productions. Phoenix’s Nicerizer series summing mixers incorporate features and circuitry that have made it a legendary tone machine.
A Summing Mixer (not Amplifier)
The distinction between a stereo mixer and a summing amplifier is important when considering your hybrid analog/digital rig. In essence, a mixer incorporates a fuller range of features. The Nicerizer is decidedly a mixer, pulling crucial elements such as circuit overdrive and panning back into the analog realm where they truly outperform their digital emulations. Our dented pan-pots are unmatched for both precision stereo placement and ease of recall, and they are a key ingredient the huge, open sound of the Nicerizer.
Driving a Versatile, Class-A Input Circuit with our 'Drive Technology'
With the Nicerizer, Phoenix takes a modern approach to Class-A circuit design. Our unique transformerless input stage delivers the full frequency spectrum with unrivaled clarity and punch. Transformers slow things down, which can be great in some cases, but if you’re stuck with transformers, then you’re stuck with slower transients (slew-rates), limiting the range of tonalities. Our electronically balanced input stage can be driven modestly for ultra-clear hi-fi sound, or you can engage the drive switch on any of the 16 channel individually to drive the circuit for a fatter, more saturated sound that only Discrete Class-A buffer amps annd custom wound output transformers can deliver.
Legendary Transformer-Balanced Output Stage
Once mixed, the stereo signal hits a pair of our custom-wound DB694 output transformer, which we’ve coupled to Phoenix's proprietary, fully discrete DSOP-2 output amplifier. The DSOP-2 is the result of Phoenix's head-designer David Rees’ forward-thinking solutions for upgrading vintage Neve consoles. Improve on Neve? Indeed, the DSOP-2 represents the pinnacle of Class-A output circuits, offering a smooth transition from ultra-clean to beautifully saturated tones.
Extra Features That Quickly Become Essentials
Stereo Width Control—The Nicerizer’s width control uses elements of Mid/Side processing to offer your mixes a narrower or wider image simply by turning a knob. Mix engineers who haven’t used a width control often don’t realize what they’re missing: a level of spacial manipulation that can unlock hidden dimensions or tighten up a sprawling production.
Balanced, Unbalanced: No Problem—The Nicerizer’s 16 individual inputs can accept both balanced and unbalanced signals without any of the gain loss typical on most mixer inputs. This is an increasingly useful feature as looping through guitar pedals and even recording midi-driven analog synths in real time while mixing are fast becoming standard practices.
Stereo Bus Insert—Strap any balanced or unbalanced gear onto the main mix bus for added control. A common practice today while mixing is to strap a bus compressor, and often an eq, onto the stereo bus, yet mastering engineers will also love this feature when working with stems.
Independently Controlled Aux Output—Just before hitting the output transformers, we have grabbed an output signal and assigned it to its own front-panel level control. Drive external monitoring amps, or simple bypass our output stage for a transfomerless sound to your final capture device.
2T Return—Another feature that makes the Nicerizer a true mixer is the 2-track input, allowing you to monitor an external output source through the onboard headphone amplifier.
Monitor Select Switch—An industry first, this switch allows you to monitor single pairs of channels (1-2, 3-4, etc), as well as any of the other stereo ports on the Nicerizer. Infinitely useful for a multitude of workflows, this switch is the sleeping giant of the mixer, ready to unleash all kinds of creative uses, from doing individual stem work to comparing reference mixes to allowing direct comparison of many analog sources.
Monitor Select Switch Toggle—Once you’ve chosen which input pair you’d like to monitor via the Monitor Select Switch, the Toggle lets you monitor either the Left or Right channels in mono (sent to both channels) on the headphone amp, or to monitor in stereo. Forensic analysis of your audio signals has never been easier.
LED Meters—Following the Monitor Select Switch, our LED meter array will give you constant visual confirmation of your operating levels. Indispensable for managing gain as you finalize your productions.
- 16 channels of our Class A, discrete, truly balanced transformerless input stage.
- Our proven and loved Class A, discrete, transformer balanced output stage (DSOP-2).
- Phoenix custom wired transformers on both outputs.
- Individual detented pan control for each channel (16 x Pan pots)
- 2 x Balanced 8 channel D-sub inputs. Can accept balanced or unbalanced input with no -6dB loss.
- 2 x mix busses (Stereo Mix Bus)
- 1/4″ TRS unbalanced Insert sends on Busses (L + R Bus Insert points)
- 'Drive Technology' button on each channel for color & saturation
- Master mix bus output level control.
- Stereo LED level monitoring.
- Switchable for each channel and Main Output
- Stereo/mono External/Headphone monitoring Output. Switchable to each channel, external input (via 2T Return), Auxiliary and Main output, includes monitoring of the mix bus. (L, R, and Stereo)
- Main Outputs on Balanced XLR’s
- 1/4″ TRS unbalanced Jacks for Auxillary outputs with front panel level control
- 2 Track stereo mono inputs on 1/4″ TRS balanced Jacks
- Class A Stereo Width control with Loss-less Bass. Pannable from mono through to +25% Wider + Width control Bypass switch.
- Maximum Output Level of +26dB.
- Huge headroom available on all channels.
- All units are wired with PTFE silver plated military grade cable